Riley was selected after 2007′s “Control” and Hedlund came on after taking a long bus ride to his audition from his home in a town in Minnesota so rural that the nearest metropolis was Fargo, three hours away.
“He kept a journal about his journey, and he asked to read it after his audition scenes,” Salles remembers. “What he’d written was so much in tune with Neal’s letters we were all sure he was right.” Hedlund, who is outstanding, was so committed to the role he wouldn’t take other work without checking with Salles first about possible schedule conflicts.
In doing research on the earlier attempts to film “On the Road,” some of which date back to well before Coppola acquired the rights, Salles was struck by screenplay versions that had Dean Moriarty punished or even killed by the end.
“That character was very politically incorrect,” Salles explains. “His attempt to live every single possibility, and the evasion of responsibility that came with it, made people uncomfortable.”
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